This anonymous “Tango from Paraguay” is a nice piece to get to know the sounds and phrasing of Latin American music. The first part of the piece is in A minor, while in the second section the key changes to A major – a typical stylistic device of classical music.
In the first few bars, particular attention should be paid to the phrasing techniques staccato and glissando:
![](https://www.bossanova-gitarre.de/wp-content/uploads/2021/01/PARAGUAY-Tango-1-3.png)
In the second line, the legato phrasing from the higher to the lower note (“Pull-Off” the note = legato) are a challenge: it is essential to maintain the even flow of the eighth notes.
![](https://www.bossanova-gitarre.de/wp-content/uploads/2021/01/PARAGUAY-Tango-1-2.png)
The third line melody sequence (to be played after the first line repeat) is a good example of the practical application of longer scale passages. In preparation for this, practicing the basic level scales is recommended.
![](https://www.bossanova-gitarre.de/wp-content/uploads/2021/01/PARAGUAY-Tango-1-4.png)
In the second part, the melody is set in thirds – also a common technique for emphasizing a sequence of tones. Here, too, it is worthwhile to first work on this technique and the resulting fingerings in scale exercises.
![](https://www.bossanova-gitarre.de/wp-content/uploads/2021/01/PARAGUAY-Tango-1-5.png)